By Michael Paschalis; Stavros Frangoulidis (ed.)
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Extra info for Ancient Narrative: Supplementum 1 Space in the Ancient Novel
Dionysius I: War-lord of Sicily, New Haven: Yale University Press. Clarke, K. 1999. Between Geography and History: Hellenistic Constructions of the Roman World, Oxford: Oxford University Press. Corbato, C. 1968. ‘Da Menandro a Caritone. Studi sulla Genesi del Romanzo Greco e i suoi Rapporti con la Commedia Nuova’, Quaderni Triestini sul Teatro Antico 1, 5-44. de Souza, P. 1999. Piracy in the Greco-Roman world, Cambridge: Cambridge University Press, 185-195. Edwards, D. R. 1985. ‘Chariton’s Chaereas and Callirhoe: Religions and Politics do mix’, in: K.
The same answer is appropriate for Pleasantville: despite the process of learning and insight and the larger issues of knowledge and recent American history on which the film touches, such as McCarthyism and race relations, the characters even in the film’s modern frame story are intentionally left too schematic to be “round” in Forster’s sense of the word. But nevertheless, one particular aspect of the Bildungsroman to which Bakhtin refers applies, mutatis mutandis, to the film. 15 In its frame story, Pleasantville shows us a capitalist world whose social fabric is fraying.
CHRONOTOPE AND L OCUS AMOENUS 33 described, the two scenes have nothing at all in common, nor do I wish to imply that writer-director Ross in any way imitated, or was conscious of, Longus. But both very effectively illustrate a specific moment of sexual awakening and do so in analogous ways regarding the narrative moment at which they occur. One of the most charming erotic vignettes in Daphnis and Chloe is the episode with the grasshopper or cicada which flies into Chloe’s dress. This is a particularly significant moment in Daphnis’ and Chloe’s journey toward their discovery of love.
Ancient Narrative: Supplementum 1 Space in the Ancient Novel by Michael Paschalis; Stavros Frangoulidis (ed.)