By Sylvia Day
#1 New York Times bestselling writer Sylvia Day, America's leading writer of provocative fiction, supplies the debut novel from Cosmo Red-Hot Reads from Harlequin.
The attention that Jax nonetheless affected me so strongly was once a jagged capsule to swallow.He'd merely been a part of my lifestyles for 5 brief weeks years ago.But now he was once back.Walking right into a deal I'd labored not easy to close.And God, he was once magnificent.His eyes have been a brown so darkish they have been approximately black.Thickly lashed, they have been relentless of their intensity.Had i actually concept they have been tender and warm?There was once not anything tender approximately Jackson Rutledge.He used to be a troublesome and jaded guy, reduce from a ruthless cloth.
In that second I understood how badly i needed to resolve the secret of Jax.Bad sufficient that I didn't brain how a lot it used to be going to price me....
Look for two new eBooks from Cosmo Red-Hot Reads from Harlequin each month.
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Extra info for Afterburn
F 22 4/19/00 9:09 AM Page 22 CliffsComplete The Tempest By Whitehall staging custom the Cell and Court of Prospero [on a raised stage at one end of the long banqueting hall] would have been placed at the same height as the uplifted state seat of James I and his court at the hall’s opposite end. Only from the King’s perspective would Prospero’s Cell and the rest of the stage setting have been seen in perfect perspective. The play, then, would have unfolded between the seat of Prospero on stage and the contrasting seat of James in the hall proper, with action flowing forward and downward from the stage to the central, green-carpeted area in intimate proximity to the king and spectators.
31. Betid: happened. 35. bootless inquisition: unanswered questions. 41. not / Out: not yet, not more than. 43. Of any . . , describe anything to me that you can remember. 46. dream . . remembrance warrants: more like a dream than a clear memory. 20 25 30 35 40 Certainly, sir I can. Prospero By what? By any other house or person? Of any thing the image tell me that Hath kept with thy remembrance. Miranda ’Tis far off, And rather like a dream than an assurance That my remembrance warrants. Had I not Four or five women once that tended me?
Prospero No harm. I have done nothing but in care of thee, Of thee my dear one, thee my daughter, who Cell: used here in the Early Modern sense of a small room, or dwelling, as in a monk’s cell; on the stage Prospero’s cell would be represented by the curtained inner stage. Prospero and Miranda’s home is notably simple, “full poor” in Prospero’s own description. 1. art: here, the art of magic. 2. allay: relieve or calm. 3. pitch: tar. 4. welkin’s cheek: face of the sky. 6. brave: fine in appearance (as elsewhere in Shakespeare).
Afterburn by Sylvia Day